I’m the type of person who sees a piece of fabric and will instantly know I need to sew something with it. It won’t matter what I was doing when I found it, but all my plans will change to accommodate my sudden desire to sew.
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In early June I was sifting through boxes of old sewing patterns when I came across a massive pile of cotton fabric with an adorable strawberry print, and I knew I needed to make a dress with it. According to my mother, the fabric came from grandmothers old sewing stash, likely from the 1970s.
Next I scoured through my family’s pattern collection, and found a pattern I thought would be perfect for the project I had in mind. The McCall’s M7500 pattern is one I bought on a whim several years ago. The dresses featured in the pattern are whimsical, and they remind me of ones you would wear while picking flowers or going out on a picnic, with full skirts and gather details.
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The bodice offers two variations; one featuring gathered details, the other incorporating lace accents. I chose version A of this pattern, which incorporated gathered details and had no sleeves, since the pattern of the fabric reminded me of summer.
Ironically, both the dress pattern and the fabric pattern reminds me of cottagecore, an aesthetic that has recently risen to popularity on tiktok. Urban dictionary defines cottagecore as: “A niche aesthetic based around the visual culture of an idealized life on a Western farm…” Having grown up on a farm, I can say that the tiktoks I have seen definitely idealize farm life, incorporate clothes I would never choose to wear while chasing cows, and in general are not realistic. Regardless, I felt like the pattern and fabric were a perfect combination.
The pattern itself was not challenging to follow, however the outer layer of the bodice that featured the gathering looked too puffy and overwhelming on me. As a result I had to deconstruct the majority of the bodice to take in the outer shell of the bodice(the lining fit perfectly).
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Another alteration I made was sewing two darts into the back of the dress along the neckline to get rid of some gaping.
I did this to fix the fit of the dress, but did not think it was a tactic normally used in sewing.
Later, after I sewed this addition into the dress, I noticed several dresses I already owned that had a similar detail. This made me feel validated in my decision to add the darts.
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Another change I made was the under stitching of the dress. After I reconstructed the bodice to fit my torso, I was no longer able to machine under-stitch the neckline as directed in the pattern. To rectify this, I hand stitched the under-stitching detail.
My mother suggested a decorative stitch for this purpose, which I incorporated. I love this detail about the dress now.
The under stitching is a combination of back stitches and singular daisy stitches. To me, it looks like a vine with little leaves along the top edge of the bodice.
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The final step of the dress was hemming the skirt. I found a red lace seam tape, which I machine stitched to the edge of the skirt before hand-stitching the hem in place.
And with that, the dress was finally done!
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Although I started the project in June, I did not get to put the finishing touches on the sewing project until August. July proved to be a hectic month, so I was ecstatic when it finally came all together.
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There were definitely a few moments where I had to do some deep breathing during this project, mainly while seam ripping bodice and pinning it onto my body multiple times, but I am so happy with the results.
I already have several projects in mind for what I want to do next. It’s just a matter of deciding if it makes sense to sew another fruit themed dress or move onto some fall appropriate apparel.